5,623 로열티 프리 오디오 트랙들 "Sample And Hold"에 대한

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Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).
著者: Gis Sweden
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Some snippets of a little doepfer a-199 demo i did a while back. Https://youtu. Be/8dgbfopkh9a. Oscillator modulated with noise s&h. ;reverb dry/wet outputs ringmodulating each other. Created using a doepfer a-100 and recorded using cubase 6. 5.
著者: Cabled Mess
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Hendrix chord.
著者: User:Hyacinth
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06. TRG Banks - Wedding
著者: TRG Banks
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Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone
著者: wdwd
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03. TRG Banks - Ordination
著者: TRG Banks
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Handel, Messiah, Hallelujah Chorus closing bars
著者: Handel
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Period (two phrases) in Haydn's Feldpartita.
著者: Hyacinth
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*Unison on C = C. Just: 1:1 = 0 cents. Equal-tempered: 20/12:1 = 0 cents. Limit: 3-limit.
著者: Hyacinth (talk) (Uploads).
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Dido's Lament ground bass, m. 1-6. See: File:Dido's_Lament_ground_bass.png
著者: Created by Hyacinth (talk) 16:48, 6 November 2011 (UTC) using Sibelius 5
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05. TRG Banks - Boy Meets Girl
著者: TRG Banks
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08. TRG Banks - Interlude
著者: TRG Banks
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Ejemplo de batimiento (acústica). Frecuencias: 440 Hz y 339 Hz.Example of beating (acoustic). Frequencies: 440 Hz and 339 HzNederlands: Voorbeeld van zweving (akoestiek). Frequencies: 440 Hz en 339 Hz
著者: Natanael Olaiz
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09. TRG Banks - Conference
著者: TRG Banks
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02. TRG Banks - The Rebelution
著者: TRG Banks
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12. TRG Banks - Sunset
著者: TRG Banks
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Symphony No. 5, first movement, bars 195-227
著者: Untitled
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10. TRG Banks - Easter
著者: TRG Banks
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Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.
著者: The original uploader was Hyacinth at English Wikipedia.
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The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
著者: Opus33 at English Wikipedia
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14. TRG Banks - Into Canada
著者: TRG Banks
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11. TRG Banks - Stop The Merry-Go-Round
著者: TRG Banks
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13. TRG Banks - Goodbye Josh
著者: TRG Banks
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Transition in Mozart's Sonata in C Major, K. 309, I, measures 21-32.
著者: Untitled
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Recapitulation transition in Mozart's Sonata in C Major, K. 309, I, measures 116-126.
著者: Untitled
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Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.
著者: Joachim Mohr
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Vivaldi Winter from the Four Seasons
著者: Vivaldi
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Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)
著者: User:Hyacinth
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TRG Banks - Prelude
著者: TRG Banks
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07. TRG Banks - Tour
著者: TRG Banks
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04. TRG Banks - Prayer
著者: TRG Banks
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My Old Kentucky Home
著者: Hyacinth
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The trio from Pomp and Circumstance March No. 1, directed by Edward Elgar. Played for the opening of EMI's studios at Abbey Road.
著者: Edward Elgar (1857–1934)
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*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.
著者: Hyacinth (talk)
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*1681th harmonic on C = G♯. Just: 1681/1024 = 858.12 cents. Limit: 41-limit. MIDI pitch bend: 76,50
著者: Hyacinth
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Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.
著者: Hyacinth
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*Two-hundred-ninth subharmonic on C = E↓. Just: 256/209 = 351.17 cents. Limit: 19-limit. MIDI pitch bend: 47,48
著者: Hyacinth
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*Hundred-sixty-ninth subharmonic on C = G♯. Just: 256/169 = 718.94 cents. Limit: 13-limit. MIDI pitch bend: 7,70
著者: Hyacinth
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*Fifty-first subharmonic on C = F♭. Just: 64/51 = 393.09 cents. Limit: 17-limit. MIDI pitch bend: 101,61
著者: Hyacinth
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*Twenty-ninth subharmonic on C = D-. Just: 32/29 = 170.42 cents. Limit: 29-limit. MIDI pitch bend: 68,54
著者: Hyacinth
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*Hundred-sixty-first subharmonic on C = A♭-. Just: 256/161 = 802.90 cents. Limit: 23-limit. MIDI pitch bend: 118,64
著者: Hyacinth
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*Thirty-ninth subharmonic on C = A. Just: 64/39 = 857.52 cents. Limit: 13-limit. MIDI pitch bend: 51,50
著者: Hyacinth
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*Hundred-eighty-seventh subharmonic on C = G↓♭. Just: 256/187 = 543.73 cents. Limit: 17-limit. MIDI pitch bend: 127,77
著者: Hyacinth
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Simple Gifts from the U.S. Army Fife and Drum Corps' album "Celebrating 50 Years"
著者: US Army
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*Hundred-fifteenth subharmonic on C = E♭-. Just: 128/115 = 185.41 cents. Limit: 23-limit. MIDI pitch bend: 42,59
著者: Hyacinth
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*Hundred-nineteenth subharmonic on C = D♭-. Just: 128/119 = 126.22 cents. Limit: 17-limit. MIDI pitch bend: 49,72
著者: Hyacinth
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Tridecimal narrow tritone on C. F♯+ = 18/13 = 563.38 cents.
著者: Hyacinth
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Charleston rhythm, simple rhythm commonly used in comping. Ragtime progression.
著者: Hyacinth
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*Fifty-seventh subharmonic on C = D-. Just: 64/57 = 200.53 cents. Limit: 19-limit. MIDI pitch bend: 21,64
著者: Hyacinth
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*Two-hundred-seventh subharmonic on C = F♭-. Just: 256/207 = 367.82 cents. Limit: 23-limit. MIDI pitch bend: 89,53
著者: Hyacinth
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